The drab barrier – erected in 2010 a stone’s throw from patient rooms on the fourth and fifth floors to hide newer mechanical systems – presented such a dismal sight that nurses would avoid putting patients in those rooms. Whenever space became available, they would move patients from the west side, with the view of the plain wall, to the coveted east side, where light bounces off the waves of the East River and a steady stream of boat traffic passes Roosevelt Island.
The artist explains:
That unlike gallery browsers, patients would face his painting for hours and even days. He hoped someone staring at the complex shards might “allow the color to open up other ideas of possibilities or considerations of what might be going on in their life,” he said.